A Heart of Salt & Silver: Themes and Meanings

Everyone always talks about the deeper meanings in books, and though I never start writing with a specific theme in mind, these things always find their way in.

So today, I want to discuss some of them with you.

Of course, there are the obvious ones. Good vs evil, love and redemption, revenge and second chances. Isolation and war, forgiveness and religion. All the big ones.

But there are others.

One of the biggest themes is the importance of growth and change. Two of the MCs (Ness and Nolan) are exes, star-crossed lovers, of sorts. They both have their faults, and each played their role in breaking up their relationship.

But people aren’t stagnant, never should be stagnant. So, we see them confront some of their issues, facing down the demons (pun intended, since demons are actually in this book) that wore them down (as individuals) in the first place, so that things might work better in the future.

Which brings me to another theme.

The differences between self-perception and how others perceive you.

With the vast majority of people, there’s a gap between these two things. Arrogant fucks tend to think far higher of themselves than others think of them. They see only their own strengths and don’t understand why others don’t worship them.

People with depression or anxiety disorders tend to think far lower of themselves than others do. They see only their own flaws, never seeing their strengths, and this creates a discrepancy, one that other people don’t always know about. If they know about it, they may not understand because the person they see is wonderful.

The downtrodden, self-destructive type shows up in this book.

Ness is… hurting. She believes herself to be inherently broken, less than. Nothing she ever does for anyone is enough to meet her standards. Nothing she says is kind enough. She’s so hung up on being half demon, so focused on the rage and the fury that could send her on a rampage if she lost control, that she fails to see all the good she does or just how well she controls her half-demon heart.

And she certainly doesn’t feel like she deserves love or happiness. And it takes her a long time, and some pretty extreme circumstances, to even realize that people might actually care about her.

Mainly because she doesn’t see herself (or her actions or motivations) accurately. Her childhood kinda skewed her perception of herself.

Being raised by your mortal enemy, a member of a religious sect sworn to kill you on sight who was bewitched to raise you, can do that to a person.

Which brings me to yet another theme.

The importance of being self-aware.

It’s awfully hard to grow and improve yourself if you don’t know where your issues lie. And it’s pretty hard to have the motivation to improve if you think you’re the worst person alive.

Acknowledging flaws and strengths alike is important for growth as a human being. Analyzing why you’re really doing something, rather than just taking all your actions at face value, is a necessary step. Otherwise, you’re likely to end up doing the wrong thing for the right reason or vice versa.

Motives can taint actions.

Being the hero because you need to be the hero… Yeah, people get saved. But maybe there was someone better suited to the task that stepped back because you needed to do it? Maybe other people are suffering because you had to be the one to fix something?

That’s one of the biggest problems for Nolan.

Elias also lacks self-awareness, but where Nolan has already started seeing and fixing things, Elias is barely aware that there’s a problem at all. His impulses drag him into a lot of situations that would have been better off left alone, and through the magic of luck, he hasn’t faced many consequences yet.

Running into vampire territory can change that pretty quickly, though.

And that’s just some of the character-related themes. There are others, and the world has its own themes.

Emotion vs. intellect is a big thing as far as magic and the afterlife are concerned in this book. Not to mention just how diluted and corrupted views of the afterlife can become when humans get involved, organizing it into neat little boxes with hard and fast rules that fit their particular motives.

That may seem like a lot to cover in one book. But life never tries to teach us just one thing at a time, and it never tries just one tactic for breaking us.

Lessons and traumas tangle together, piling one atop the other.

In life and literature.

If you want to watch these themes unfold amidst immortals and mortals in a magical world, if you want to get to know the characters and their lives, check out A Heart of Salt & Silver here:

mybook.to/AHeartOfSaltAndSilver

Keep reading. Keep writing.

Later.

Genre snobbery (aka literary elitism) and why it’s a crock of shit

Hi guys!

Genre snobs are (unfortunately) common. I don’t mean people who prefer a specific genre, btw. I mean the people who think every genre outside of their own preferred genre is garbage. They have a tendency to put other writers and readers down, saying that they read nothing but fluff, because let’s face it, their genre is the only meaningful one.

I’ve seen a lot of genre snobs in the past few weeks. Now, part of that is because of the stories people have come forward with since I posted about this on social media last month. So many people have encountered this problem, and it is absolutely shocking.

But I’ve also encountered them personally, being told that “Romance is written by and for idiots,” which is crap. I love romance (writing and reading), and while I’m not the smartest person in the world, I’m not an idiot. Not by any means.

I’ve also heard that googling good dialogue will turn up mostly crime writers and that only dystopian, crime, or satire (or other similar genres/subgenres) can be used for profound writing.

I just can’t wrap my head around it.

The idea that only certain types of stories can be used to convey deep, meaningful concepts is absolute horseshit.

Want examples?

In my thriller novella, Annabelle, I tackle the topic of sexual assault and the fact that we need to speak up and do something about it. All while telling a compelling story.

In The Gem of Meruna (high fantasy romance, two genres literary elitists abhor), I explore death/grief, inner strength, and the effects of one corrupt, violent person on an otherwise peaceful community.

In Soul Bearer (also high fantasy romance), themes of oppression and prejudice abound, as does the importance of integrity.

World for the Broken (post-apocalyptic romance) hits just about every possible tough subject, exploring resilience and the darkness within humanity.

In Salt and Silver (dark supernatural high fantasy romance, so many genres that are looked down on by genre snobs), I pit emotion against intellect and perception of self against how others perceive us. I also look at religion and the afterlife (and how little we know about either).

The story I’m writing now, another dark high fantasy romance, explores nature vs technology, progress vs tradition, and the need for balance in our lives.

In short, every genre can express or explore important themes.

And you know why?

Because all stories, at their base, are about the human condition. All stories contain conflict, regardless of genre, pitting two or more sides against each other. The premise of that conflict, the depth of the story is up to the author.

Not the genre.

You can write about corrupt government in fantasy. You build the world, so it can be as fucked up as you want.

You can write about the effects of religion on society in supernatural novels. (I did in Salt and Silver. Sure, I made the religions up, but they draw parallels to real religions.)

Basically, you can write deep, meaningful content in any genre. You can also write fluff in any genre (even satire, even dystopian, even crime). Therefore, no genre automatically makes you a better, more profound writer.

I think the real difference between genre elitists and other writers has to do with their motives for writing, not their ability to solve philosophical debates.

Now, many people write to send a message or make a point. They have an opinion and want to use fiction to convey it. Which is fine. That doesn’t make them an elitist.

But literary elitists…always do that.

Because they have something to prove.

They write to show other people how smart they are. Obviously, if they can write a novel with tons of symbolism and “world changing” themes, they must be better than everyone else.

As long as they make their point, they can lord it over everyone else and act superior, even if shoving their philosophy down everyone’s throat hindered the story and led to a convoluted mess of words. And if you don’t like their book or their genre of choice, that just means you’re “too dumb to understand.”

Of course, that’s not the truth.

It’s just a defense mechanism to avoid listening to any criticism, constructive or otherwise. It’s cutting people off before anyone gets a chance to point out where they fall short. It’s (possibly) hiding deep-seated insecurities.

So if a genre snob is putting you down and saying your story will be trash because you write in a trash genre…don’t worry about it. Most of the time, the people who are absolutely convinced that they’re smarter than everyone else…are actually…not.

Personally, I’d rather write a solid story, anyway. I never go into a story for the sake of making a point. If it develops to include some deeper observation of our world, great. If not, that’s fine. I’m in it for the story, not the clout.

Now, to tell you all what I’ve been up to over the past week.

I designed and ordered book swag for World for the Broken! I’ll be sharing the designs with all of you later this week. I also ordered proof copies of the book, did a lot of research for release week, and made some decisions regarding marketing.

And I made some headway on my newest WIP. I’ve added a lot to it in the past couple weeks, so I don’t think an updated word count will be a spoiler for where characters get…broken.

I’m now at 32,663 words.

I need to get back into editing Where Darkness Leads. But that is a task for another night.

Keep reading. Keep writing.

Later.