Why you should write EXACTLY what you want

Hi, guys!

Today, we’re tackling something that seems to be a rather large issue when it comes to writer morale.

Namely…”Should we bother?”

I guess, basically, that is morale.

It’s all over writing groups. People describe the general premise of their book, then ask other writers if it sounds like it would be worth the effort of writing it.

They site flooded markets and the use of the same tropes in a million other books. They claim that certain genres or markets are dead.

Some ask if people even bother reading nowadays, with all the instant gratification and high speed stimulation available in movies and tv shows and various things online.

They doubt whether the readers (or money) will be there.

First off…money shouldn’t be why you write. The odds of being a full time author are slim. We all know that. We just prefer to internalize our lack of a 6 figure writing income as being our own fault, our own shortcoming, for some masochistic reason or another.

We’re an anxious bunch. It happens.

But whether you think you’ll get rich off your books or not…shouldn’t decide whether you write them.

Writing, given how slim the odds are of being the next J.K. Rowling, is a labor of love.

So why not write what you love?

Pining away after that one idea, that one story that will get you rich…is a good way to never actually write a book. You’ll just sit there, repeatedly dismissing potentially amazing ideas, and never get down to the business of actually writing.

As for tropes that have been done before or flooded markets, obviously people like that kind of story. Plus, no matter how many other authors have written it, they don’t have your voice. Your unique compilation of experiences will shine light on different parts of the trope and cast shadows on other aspects.

And besides, if it’s what you want to write, who the fuck cares how many times it’s been written before?

Write it.

Make it your own and it will be glorious.

On the opposite end of the spectrum, think your target market is dead?

Take it as a challenge.

Take advantage of the lower numbers of books in that genre. Be the one to revive it.

Now, as for the crap about people not reading anymore. People fucking read.

Go to Instagram. Search the tag #bookstagram and look at how many posts turn up. As of right now…39.8 million. Now, search #reading. 25 million posts. #amreading has a couple million.

All of them…are about reading. (And that’s just on Instagram.)

#amwriting has a few million posts.

#writingcommunity has 5.5 million.

I mention writing because do you know what all those authors are also doing? Especially when they’re procrastinating working on their own books?

They’re reading.

Over a million books are published each year.

Now, that might be intimidating because your book is kinda just floating in a sea of words, but it’s also heartening.

Because most authors are also avid readers, consuming books left and right.

Who the fuck can write, knowing how much they and their writer friends love to read, and question whether people read? Do you not talk books with these people all the damn time?

Sure, since there are more people in the world, more people than in previous centuries have decided they don’t like reading. There are so many hobbies that exist now that weren’t even dreamed of a hundred years ago.

I mean, playing a video game on a phone a few centuries ago? Obviously not happening. You’d likely be thrown into what passed as a psychiatric hospital back then, or burned at the stake, for mention of a magical, flat brick that showed moving pictures and let you play a game with someone on the other side of the world.

But a higher population also means that more people are reading. A percentage of a larger number equals a higher number than the same percentage of a lower number.

Which sounds like I’m talking in circles. So, 20% (arbitrary number, pulled out of thin air) doesn’t sound like a lot. After all, 20% of 100 is only 20.

But 20% of a million?

200,000.

20% of a billion?

200,000,000.

You see my point. Now, I don’t know the percentage of adults that read on a regular basis. I couldn’t find current statistics.

But if one in five people reads, if one in twenty people reads regularly…across the entire world…that number is fucking huge.

And there’s bound to be a group within that number that will like your book.

So take heart.

And write whatever you fucking want.

There is someone out there who will want to read it.

Now. On the topic of writing. I’ve made progress on my own WIP. I’m hovering around the 35,000 word mark now, so up roughly 2,500 words from last week. I’ve been spending a lot of time on release prep for World for the Broken, ironing out details and such. It’s remarkable how many of those keep popping up.

It isn’t the amount of progress I’d hoped to be able to report, but I should probably be kinder to myself, given the toll my body has been taking on me.

That double ear infection from a couple weeks ago? Well, none of that stupid fluid in my inner ears actually drained. The infection cleared up, but all that swelling stayed put, holding that fluid in. So my ears have been ringing, I’ve had a nonstop, dull headache for several days (punctuated by sharper, shorter-lived headaches which felt like knife points), and I’ve been dealing with episodes of nausea-inducing vertigo that last anywhere from five minutes to twelve hours.

Of course, there were more doctor visits, and thus medicine. Lots of early mornings, because the rest of the world doesn’t abide by my nocturnal writing schedule. I honestly don’t know how much dramamine I had to take to be able to go to work this week without having a dizzy episode and falling into a machine.

But it’s improving. The dizziness is down to one or two episodes (lasting less than five minutes each) if I go too long without taking dramamine.

So, I’m on the mend.

And pushing forward.

Keep reading. Keep writing.

Later.

Genre snobbery (aka literary elitism) and why it’s a crock of shit

Hi guys!

Genre snobs are (unfortunately) common. I don’t mean people who prefer a specific genre, btw. I mean the people who think every genre outside of their own preferred genre is garbage. They have a tendency to put other writers and readers down, saying that they read nothing but fluff, because let’s face it, their genre is the only meaningful one.

I’ve seen a lot of genre snobs in the past few weeks. Now, part of that is because of the stories people have come forward with since I posted about this on social media last month. So many people have encountered this problem, and it is absolutely shocking.

But I’ve also encountered them personally, being told that “Romance is written by and for idiots,” which is crap. I love romance (writing and reading), and while I’m not the smartest person in the world, I’m not an idiot. Not by any means.

I’ve also heard that googling good dialogue will turn up mostly crime writers and that only dystopian, crime, or satire (or other similar genres/subgenres) can be used for profound writing.

I just can’t wrap my head around it.

The idea that only certain types of stories can be used to convey deep, meaningful concepts is absolute horseshit.

Want examples?

In my thriller novella, Annabelle, I tackle the topic of sexual assault and the fact that we need to speak up and do something about it. All while telling a compelling story.

In The Gem of Meruna (high fantasy romance, two genres literary elitists abhor), I explore death/grief, inner strength, and the effects of one corrupt, violent person on an otherwise peaceful community.

In Soul Bearer (also high fantasy romance), themes of oppression and prejudice abound, as does the importance of integrity.

World for the Broken (post-apocalyptic romance) hits just about every possible tough subject, exploring resilience and the darkness within humanity.

In Salt and Silver (dark supernatural high fantasy romance, so many genres that are looked down on by genre snobs), I pit emotion against intellect and perception of self against how others perceive us. I also look at religion and the afterlife (and how little we know about either).

The story I’m writing now, another dark high fantasy romance, explores nature vs technology, progress vs tradition, and the need for balance in our lives.

In short, every genre can express or explore important themes.

And you know why?

Because all stories, at their base, are about the human condition. All stories contain conflict, regardless of genre, pitting two or more sides against each other. The premise of that conflict, the depth of the story is up to the author.

Not the genre.

You can write about corrupt government in fantasy. You build the world, so it can be as fucked up as you want.

You can write about the effects of religion on society in supernatural novels. (I did in Salt and Silver. Sure, I made the religions up, but they draw parallels to real religions.)

Basically, you can write deep, meaningful content in any genre. You can also write fluff in any genre (even satire, even dystopian, even crime). Therefore, no genre automatically makes you a better, more profound writer.

I think the real difference between genre elitists and other writers has to do with their motives for writing, not their ability to solve philosophical debates.

Now, many people write to send a message or make a point. They have an opinion and want to use fiction to convey it. Which is fine. That doesn’t make them an elitist.

But literary elitists…always do that.

Because they have something to prove.

They write to show other people how smart they are. Obviously, if they can write a novel with tons of symbolism and “world changing” themes, they must be better than everyone else.

As long as they make their point, they can lord it over everyone else and act superior, even if shoving their philosophy down everyone’s throat hindered the story and led to a convoluted mess of words. And if you don’t like their book or their genre of choice, that just means you’re “too dumb to understand.”

Of course, that’s not the truth.

It’s just a defense mechanism to avoid listening to any criticism, constructive or otherwise. It’s cutting people off before anyone gets a chance to point out where they fall short. It’s (possibly) hiding deep-seated insecurities.

So if a genre snob is putting you down and saying your story will be trash because you write in a trash genre…don’t worry about it. Most of the time, the people who are absolutely convinced that they’re smarter than everyone else…are actually…not.

Personally, I’d rather write a solid story, anyway. I never go into a story for the sake of making a point. If it develops to include some deeper observation of our world, great. If not, that’s fine. I’m in it for the story, not the clout.

Now, to tell you all what I’ve been up to over the past week.

I designed and ordered book swag for World for the Broken! I’ll be sharing the designs with all of you later this week. I also ordered proof copies of the book, did a lot of research for release week, and made some decisions regarding marketing.

And I made some headway on my newest WIP. I’ve added a lot to it in the past couple weeks, so I don’t think an updated word count will be a spoiler for where characters get…broken.

I’m now at 32,663 words.

I need to get back into editing Where Darkness Leads. But that is a task for another night.

Keep reading. Keep writing.

Later.

Swimming Against the Current

Hi, guys!

I’ve been melting my brain with computer crap this week. There’s been one tech-related issue after another with the final uploads of The Gem of Meruna. Some of these issues were my fault. Some weren’t.

I don’t understand what happened or how they got fixed, but I *think* they’re fixed. Idk. I have another eproof waiting for me to look it over.

I’ve also decided to put my post-apocalyptic novel into 1st person rather than 3rd, so I’ve been working on a complete overhaul. A shit ton of sentences need nouns swapped for pronouns, pronouns swapped for different pronouns, and verbs conjugated differently.

It’s a mess.

But I’m almost halfway through.

I got just a touch of writing in on the prequel for The Regonia Chronicles.

Basically…I’m a chaotic mess jumping from one thing to another. Lol.

Now, the main topic of this blog. We’re getting heavy this week.

Today, I want to discuss the value of books, and art in general.

Yes, books are a form of art. I’ve seen some debate about that, though I’m not sure why. Literature is one of the arts.

You combine skill, talent, and creativity to put something brand new into the world, something that resonates with people emotionally or challenges their viewpoints. That is art.

This means that writers are artists.

Now, I’m lucky when it comes to this (though I’m not really lucky in any other way).

I was always terrified that if I pursued writing, no one would believe in me or support me. I fully expected for everyone (even the most supportive people I know) to shit on my dreams.

It turns out…I’m really the only one who doesn’t always believe in me or my abilities.

My husband, my family, and my friends are unbelievably supportive. They acknowledge what I’m doing as something that I should be doing. (Thank you guys, btw. Seriously.)

But I know that not everyone gets that lucky.

A lot of writers get absolutely no support from their friends and family. They get mocked for their passion, and that takes a hell of a toll on a person. I see so many writers getting down on themselves in writing groups because the people closest to them don’t believe in what they’re doing.

And it saddens me.

So, for everyone out there who deals with being belittled, this is for you.

First and foremost, writing is an art and a science. There’s so much to learn to do it well, and so much creativity goes into it. It’s hard work. It takes dedication and skill and talent and time and effort and strength.

You have to be brave in order to put yourself out there, to let others read your work.

It takes SO MUCH to write a book.

And you’re doing it!

So whether anyone you know in person agrees or not, if they’re saying it’s easy and anyone could make stuff up, know that writing is an accomplishment, in and of itself. It is hard work. Having an idea isn’t enough. Everyone has ideas. Writing requires going deeper.

And you’re freaking doing it.

Second, the world would be fucking garbage (more so than it already is) if there were no artists. Again, yes, writers are artists. (That does include you.)

A world without art would be excruciating. There would be no books or paintings or statues. Obviously.

There would also be no music. Or movies. Or television shows.

Clothes would be boring and functional, made in whatever color/fabric is cheapest or easiest to get hold of. The same goes for shoes.

Makeup wouldn’t be a thing.

Furniture and buildings and cars would be completely functional. There would be no aesthetically pleasing aspects intentionally built into them. No designer would spend hours getting a single sweeping line correct, just to make it look good.

Cheap and efficient. That’s all we’d have.

Life without art would be terrible.

Which means we need books. And someone has to write them.

Now, as if the need for art in the world weren’t enough, we need books because people enjoy them. That, alone, gives them value.

Books help people escape. They help people learn about the world and themselves. Books challenge worldviews.

Whether your book is fluffy or hard-hitting, whether it has some deeper meaning or is meant to entertain…

It has value.

Thus, the process of writing it has value.

If you enjoy writing, if writing teaches you something about the world or yourself, that means it has value.

All the people who try to belittle your efforts simply don’t understand the root of it, the need for books or writing. That doesn’t mean they’re right.

It doesn’t mean your work is less important or less valuable.

It certainly doesn’t mean you should stop your work.

So keep going. Keep writing.

It doesn’t matter if your family says it’s a waste of time. Wanting approval or support is understandable, and going it alone (at least until you find your tribe of writer friends) is difficult.

But you’re creating something new. That takes guts and work.

As long as you’re still doing the things you need to do in order to survive (i.e. keeping a roof over your head, eating, sleeping…ya know, stuff like that) then how you spend the rest of your time is up to you.

So long as you know that your book is valuable, that’s enough reason to keep going.

And on that unusually positive note, I’ll draw this to a close.

Keep reading. Keep writing.

Later.

Playing God

Hi, guys!

Today’s topic is a heavy one…Religion.

No, my beliefs are not being discussed or mentioned, at all. I’m not trying to make you believe or not believe something.

I’m simply talking about writing religion into your books, whether they’re set in the real world or a world you made up specifically for the book.

Religion is a huge part of society. Its one of those things that has the potential to completely shape how an entire civilization evolves. Its presence or absence has a huge impact on the world it’s set in, and as such, it should be treated with the levity it deserves, regardless of your own religious beliefs.

At the heart of religion, people want to feel cared for. They want to feel like someone more powerful has a plan for their life. They need an explanation for things they don’t understand, whether they’ve had a strange experience or are simply wondering what happens after death.

Religion provides these things. It holds answers and safety and structure.

It often demands certain practices in exchange for these answers and safety and structure, though, shaping day to day life for any who follow devoutly.

As such, you can’t just…glaze over it and expect no one to notice that not a single person in your story believes in any type of religion whatsoever.

Especially if you’re building your own world.

Whatever religion you believe in the real world may or may not influence what you write. You’re making up a religion and a world. It might have similarities with real world religions, but it won’t be exactly the same.

So go crazy.

It doesn’t have to be logical or easily proved. If it were easy to prove, it wouldn’t be religion. It would be scientific fact. Religion, by its very nature, involves some sort of faith in the unknown and unknowable.

If you want your characters to worship a dragon that lives in the stars and cries when they misbehave (maybe they live near an intersection of rivers and heavy rain makes it flood a lot, idk), go for it.

You just want to make sure it’s consistent within itself unless the story is about figuring out why the religion goes against itself. Tons of unintentional contradictions make for plot holes, things you definitely don’t want in your story. So be thorough.

One of the first things to consider if you’re building a world is whether your characters are surrounded by pagan or monotheistic religions.

Maybe they all believe in the same gods, but one tribe worships one god and a neighboring tribe worships a different one. Does that cause tension? Strife?

War?

Maybe one faction interprets the same religion differently than another faction. That certainly causes problems in the real world. Does it cause trouble in your story?

These are things you need to consider.

Now, unlike the real world where no single person can know for sure whether any one religion is correct, as an author, you know that about your world. You know if one is correct and another is wrong. You know if they all contain little grains of truth.

You know if maybe…they’re all wrong. Do any of your characters know the truth about their world and the gods that govern it?

Or maybe they think they know.

That one person would see the world very differently than the people around them.

You should probably also consider how the god views the world, or at least, how the people think the god views the world. People who think their god is forgiving are likely to conduct themselves differently than people who think their god is easily angered and vindictive.

And if they think their god just…doesn’t care? That the world was created, and then that was it? What then?

Easily angered gods might demand human sacrifices. Forgiving gods may wish only for repentance. Or perhaps, they’ll demand sacrifice to show sorrow over one’s actions.

It all plays a role in the world you’re building and the lives of the characters in it, and it’s your job as the author to figure that out.

Now, if you’re writing a story set in the real world, good news! The religions already exist. There are still some things to consider.

Again, not everyone believes the same thing. The people in your story need to reflect that.

Unless your story is set in an Amish community, and never leaves that community, the odds of everyone in the story being of the same religion…are pretty slim.

The world has become a hell of a melting pot. Diversity is everywhere. What people believe in regards to religion or sexual orientation or race or gender or whatever…differs.

Wildly.

The odds of two people believing exactly the same on every topic is pretty much impossible. Unless one of them has cult leader charisma, and brainwashes the other one. Which, to be fair, has been the basis of many stories.

But it’s typically set against the backdrop of other people who believe differently, so…you still have to consider multiple viewpoints.

Now, if your main character has the same religious beliefs as you…be careful. Yes, that means you have more insight into the inner workings of that religion and common dilemmas faced by those who practice it.

But you also run the risk of coming off a little…preachy…if you’re not careful.

Maybe that’s the point. Maybe you’re trying to bring people over to your religion through your writing.

But that’s something that you need to commit to. Way ahead of time. And something that should be handled with tact.

A lot of tact.

Now, for the sake of realism, you probably need to show your character having doubts, at some point. It adds tons of extra drama and gives the character more depth.

For example, I set my post-apocalyptic novel, After (new title to be announced later), right here in southern Illinois.

A.K.A. The Bible Belt.

Christianity is huge here.

And the apocalypse is fucking fantastic at testing faith.

But different people react differently. Some people cling to their faith for comfort in the face of adversity. Others relinquish it completely. Some believe but get angry, while other people fall into spirals of doubt.

Some people do all those things in the course of a single particularly trying afternoon.

What happens to each individual character’s beliefs after trauma depends on their personalities, their life experiences to that point, the strength of their beliefs, their upbringing, their surroundings.

All these things play a role.

As do about a million other things.

All of which, you need to think about.

So, whether you’re religious or not, there’s a good chance that some sort of religion will influence whatever world you write your story in.

Somehow.

Some way.

Don’t be lazy and pretend no one ever heard of religion.

Anyway, this past week, I spent a decent amount of time editing my post-apocalyptic novel. I also did more work on book covers (a few options took a ton of time in photoshop) and well…played a lot of minecraft. Lol.

I know, it’s not writing related, but that game is so addictive. And it was nice to play a video game again. I’ve been so caught up in trying to get everything done that I haven’t played any game in…weeks? Months? I’m honestly not sure.

I’ll be announcing giveaway rules next week, so come back next Monday to learn how you can win a signed copy of Soul Bearer, along with a shit ton of swag and possibly a signed copy of Annabelle.

For now…

Keep reading. Keep writing.

Later.

Bah. Socializing.

Hi guys!

Last week was a hell of a week. I got Soul Bearer up and going, despite a shit ton of technical problems. It’s officially up for pre-order, in case you didn’t know from me posting all over social media about it. Lmao.

The official release date is October 22, 2019. So close! I’ll have information about the giveaway soon, I promise. But it won’t actually take place until closer to release day, anyway.

I’ll be honest, it doesn’t feel real yet.

I also started contacting ARC readers, and powered through a SHIT TON of editing on Salt and Silver (WIP in preparation for beta readers).

I also realized just how much I’m working on. Lol. I don’t know if you’ve looked at my works in progress page, but damn.

I never really think about it until I talk about one of my stories with someone, and they mix it up with another, and I have to stop and say, “no, that’s a different one.”

I can’t wait to get all these books out.

I’m gonna need help maintaining my sanity over the next year or year and a half. Which brings me to the topic of the day.

The importance of finding a writing group.

I’m lucky enough to have a supportive husband and family, but a lot of writers don’t have that. From what I’ve seen in various groups, a lot of people have the opposite.

Which sucks because…writing isn’t the easiest thing in the world. Whether you struggle to write, or to edit, or to market (*cough cough* me + marketing = nightmare), there’s always some part of it that trips people up. I’ve yet to meet a writer who loved every single aspect of being an author.

And that’s fine.

It can be frustrating, at times.

Not to mention the drain of imposter syndrome. Feeling like you aren’t good enough, or like you’re not a real writer can really drag you down. Any creative profession is rife with self doubt.

On the one hand, it’s what tells you to keep learning and improving. But it also has the potential to stop you in your tracks.

And that’s why you need a group of people around you to keep you going.

And coming from me, that’s saying something. I AM NOT a group oriented person.

At all.

I’ve briefly touched on my social anxiety in past blogs, and how it dates all the way back to preschool. I’ve mentioned how I started preschool a year early to socialize, then didn’t talk to the teachers for a year and a half. Then, when it was time to do testing for kindergarten, I wouldn’t talk to them either, so they thought I needed special ed. My mom asked me their questions, I did fine, and they said, “just go to kindergarten.”

So I did.

But I didn’t talk to the teacher there for like…9 months.

So I don’t typically like groups or socializing or talking.

But writing groups are a necessity.

I’m in several. Lol.

The friendships I’ve built (with people who know the struggle of misbehaving imaginary friends) and the things I’ve learned from them…they’re definitely worth the initial awkward feeling of, “Oh, god! New people! What do I say? What do I do? Have I gone too long without saying anything? Did they forget I’m in the group? Are they glad I’m not messaging? Do they talk about me when I’m not in the group?”

Because when you push that aside and get past it, you get so much out of a writing group.

If you’re looking for one, I’m in World Indie Warriors. There’s a page on IG and FB. They’re wonderful, and super supportive. Not only are they amazing friends, they’ve talked me through a lot of tech problems (because I’m garbage with computer anything) and helped me with cover design and all manner of other things.

There’s also Fiction Writing on FB. It’s a huge group, so anytime you need a lot of opinions, that’s a great place to go. It’s also great for getting questions answered. With 90,000 members, there’s bound to be someone who knows the answer. Lol.

I recently joined Writing Bad on FB, but have been working, so I haven’t gotten to explore that one yet.

There’s also Fellow Creative Minds on IG and Women Writing Fiction on FB, but I’m not in either of those as much as I should be.

Even if you just join a small group, maybe five or six people, it can be super helpful.

Especially when it comes to writing quality. You NEED to have other people looking at your work. You’re too close to it to pick out every flaw. You know the scenes and the characters, so you don’t always see when you need to elaborate more. Maybe it’s the opposite. Some people over-describe.

If other people are looking at your work, they can tell you these things (in a constructive manner) to help you grow as a writer.

You need people to push you, to challenge you. You need people to help you become the writer you’re meant to be.

And that means…*dun dun dun*…reaching out.

Because even the most antisocial among us…sometimes just need someone we trust to say, “You’re good enough, you can handle this, and you deserve this.”

So, go join a group. All the ones I mentioned above are very welcoming.

I’ll stop screaming socialization, though. Lol.

For now…

Keep reading. Keep writing.

Later.