Tag: indie author

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Soul Bearer: The Beginning

Hi, guys!

So, with Soul Bearer’s release date coming up (freaking tomorrow!), I thought I’d talk about the creation of the story. I’ve talked about my writing process (or lack thereof) before, but I’ve never really gone into specifics for this story in, particular.

The spark, the catalyst, was a dream, which I know sounds corny. But that’s what the prologue was. I woke up with a dream of a princess and a burning necklace and the return of dragons.

So I wrote down the bare bones of that scene and ran with it.

The princess in that scene just happened to fall into a trope I don’t particularly like writing. She’s prissy and overly concerned with her looks. She’s led an easy, privileged life and as such, follows whims even when they’re definitely a bad idea because well…what are consequences?

She doesn’t really know because she’s never faced them.

I hate that trope, that stereotypical princess type.

And she certainly wasn’t going to be the one fighting the dragon.

So her part ended, sort of, in the prologue. I can’t say how her part continued because spoilers.

But that meant I had to come up with someone else to sort out the problem of the dragon and a means for them to do so.

And therein lies the problem with writing something from a dream. It takes a lot of work to make it work. I know, writing a book takes work, in general, but dreams have a tendency to make little to no sense.

And fiction has to make sense.

You have to have a reason for everything. Anything you put in the story has to be justified by a fully built world and three dimensional characters whose backgrounds support the information you’re giving.

Everything has to line up.

Because if it doesn’t line up, you end up with plot holes and angry readers.

And no one wants that.

Now, I tend to have these little…half imagined bits of story floating around in my head, pretty much constantly. A character here, an encounter there. There’s always an assortment to choose from.

I just have to find the world, and the story, they fit into.

Well, Visan (the world of Soul Bearer) turned out to be the home I’d been lacking for Aurisye. I hadn’t named her yet,and her story ended up changing drastically by the time it was all said and done. I didn’t know she’d be so powerful before I found her home in this story. But the core of her, the basis of who she was before the dragons rose, was already in my head and it belonged in this world.

There was another little tidbit, a chance encounter, that eventually became her mother’s story. I had no idea it belonged in Soul Bearer until I got to close to the scene, though. Lol.

As for Rafnor, he was always a part of this world. He developed with it, grew with it. He was never separate from the world of Soul Bearers.

Now, there was something I was asked about by a couple of ARC readers: the names. They wanted to know how I came up with them.

So, in case any of you are curious, this is what I did.

I chose a few languages that I don’t speak, picked words that I associated with the characters, and then looked them up in those other languages. When I found a translation or translated synonym that I liked the sound of, I altered it to fit the sounds of the cultures in the book.

For the Elves, I mostly translated stuff to French. I wanted it to have a soft, seductive feel. It just seems like something that would whisper through the leaves of their wooded kingdom.

The Elves in this story (dark elves, btw) are intelligent and witty, but also conniving. Having such smooth sounds set up a nice contrast.

I wanted the Orcish names to be the exact opposite. I wanted their names to embody the harsh, rough culture (and climate) they live in. So I translated to German and roughed the words up a bit more, smashing consonants together.

For the Humans, I went with variations on old English and Nordic words and names.

No matter what word I chose, I always…massaged the spelling to make it sound how I wanted, though.

It took about 6 months to write the first draft of this one. Then, after many edits, I started submitting it to traditional publishers. Before it got accepted anywhere though, I decided traditional wasn’t the way for me to go.

I’ve been heading down the Indie road ever since.

Now, I’ll be posting a video on release day, aka October 22nd. (Freaking tomorrow!)

*gasp* A video?

I know, I almost never show my face. It’s almost like I don’t like being in pictures or videos…

But, for you guys, I’m going to get over it, and do something that I always dreaded back in school. I’m going to read aloud for the group.

I’ll be doing a reading of the prologue of Soul Bearer!

It’ll be posted here for sure. Possibly on FB or IG, if I can figure out how to get around the time limit on IG. It’ll be at 3:00 p.m. central time. I’ll post about it on social media when it’s up, and I’ll send out an email to all my subscribers to let you know.

Then, I’ll be going live for the first time EVER on Instagram at 4:00 p.m. central time to answer questions and….*drum roll* announce the winners of the giveaway!

Don’t worry. If you can’t tune in, it doesn’t null your winnings. I’ll message each winner directly to let them know.

It’s going to be an exciting week.

And I finally get all three of my days off this week! No overtime, just my actual 40 hour schedule. That hasn’t happened in a while.

Now, normally I would do a full-on update on how my week went, but this time, I think I’ll just say that I got a lot of editing done on one story, some formatting done on another, and managed to get through all of my days.

I might do a full blog about this past week…next week. I’m not sure yet. It’s been an absolute train wreck.

These three days off could not have been better timed.

For now, though…

Keep reading. Keep writing.

Later.

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Be better. READ.

Hi, guys!

So, we all read, right?

I mean, that’s the big unifier here. We’re readers and writers. Books are kinda the entire point of this blog and this website.

In one of the writing groups I’m in though, there have been several posts over the past month or so asking if you HAVE to read in order to be a writer…

And it just blows my mind.

Like…

How?

I mean, I guess you don’t HAVE to, but…

*shakes head*

I guess I just don’t get it.

On the one hand it’s as if they think they’re too good to bother reading anyone else’s work. Or too good to have anything to learn from another writer.

On the other hand…Don’t these people love stories? I mean…that’s the point of writing fiction.

Without a love of stories…why write?

And if you have a love for stories, why wouldn’t you want to read?

I’ve always loved reading. Seeing different worlds in my mind, living a million different lives, experiencing magic and dragon fights and run-ins with serial killers and secret societies…I just love it.

And it’s so deeply connected to writing. It’s literally the other side of the coin.

So, while it isn’t technically a requirement to be an avid reader in order to write, here’s why you probably should read.

A lot.

Now, of course there are the super obvious reasons.

First and foremost, reading is fucking awesome.

But also, it helps you see other perspectives and worlds and experiences. It opens your mind to other lifestyles. It allows for an escape when the real world is too much and an adventure when real life feels stagnant.

Reading sparks creativity and stirs the imagination.

But for writers, it also teaches us more about the thing we’re trying to do.

You’d be amazed just how much you can learn through osmosis.

Flow is massively important. You don’t want your readers to feel like they have to drag themselves through your book.

Guess what can show you what makes a book drag on?

Fucking reading a book, that’s what.

It shows you how to vary your sentence lengths to make your prose feel musical. It sounds better in your head, or read aloud, if you switch that shit up.

But if you never read…

How the hell will you know that?

You’ll turn out a whole book with all the damn sentences structured the same way and no one will want to read it.

Story structure can also be absorbed organically, just by reading. If you read a lot, you know that there will be a certain progression in a book, even if the author has taken it upon themselves to jump around in the timeline. You know that there will be a lot of build up, some twists, a big climactic event, and then a little bit more to tidy things up.

Naturally, you just know that most of the book takes place before the big Big BIG scene.

Reading also teaches you what you like and don’t like in a book. It shows you what’s common in your genre.

Which tropes work for your audience and which ones don’t?

What variations of those tropes have been tried?

Why were they successful? Why did they fail?

What would have made them better?

Wanna know how to learn that stuff? Open a damn book.

Reading teaches you little nuances of grammar.

It also teaches you that sometimes it’s okay to break grammar rules (hell, it’s okay to break pretty much any writing rule) if it’s appropriate for the style of writing or makes some sort of point in the story.

Stephen King’s short story, The End of the Whole Mess, illustrates this perfectly. I won’t say how/why/when he does it because spoilers, but he abandons spelling, grammar, punctuation, syntax, EVERYTHING in the name of the story, and it MAKES the story. I would’ve forgotten it in a heartbeat if not for this stroke of genius.

But reading doesn’t just make for a bunch of rule-breaking, outlaw writers. The only way you learn when it’s okay to break rules is by learning the rules.

Books do that! They teach you the rules, and show you why certain things are done the way they are.

When you read a book with 25 main characters and start losing track, you know not to do that. When you read a book that switches perspectives mid-paragraph and you have to stop and go back to sort out who’s talking…you know not to do that. It’s so much easier for the reader if you switch at the start of a new chapter.

The first time you read a 79 page chapter, you’ll see why things are usually broken up a bit more than that. So readers can find stopping points if they need to. To keep readers on their toes. To stop scenes in the middle and keep people turning pages.

Even if you read like me (aka slow as fuck), you’re still going to pick up on stuff.

So go read.

Stop asking if you should or if you have to read to be a writer.

Just read, already.

And speaking of reading…

Soul Bearer releases in just over a week!!!! Holy freaking crap!

Okay. So, I’m pretty excited. Obviously.

And you should be, too. I’ll be hosting a giveaway, in which TEN people will get a free, signed hardback copy of Soul Bearer. And some freaking awesome swag…designed by yours truly.

And one of those winners (this one chosen exclusively from my email subscriber list…hint hint) will also get a free, signed copy of my novella, Annabelle.

I’ll be posting the official rules, as well as pictures of the awesome prizes, Tuesday.

I have yet to decide whether it’ll be international or strictly in the United States (sorry). I’ll announce that with the rules, obviously, so keep an eye out for my posts on IG and FB.

International shipping is expensive as fuck and so are veterinary bills. And I’m a broke bitch from way back. So we’ll see how expensive it turns out to be when we pick up Mr. Pickles, today or tomorrow.

If you can’t tell from the fact that I’ve posted updates every day since he went to the vet, he’s kinda important to me. Lol. Plus, he’s my writing buddy and usually climbs all over me while I do my blog posts or edit or write.

So not having him on my lap right now is weird…

Anyway, I also have some special things planned for release day (Oct. 22nd). I’m going to try to record a reading of the prologue of Soul Bearer for all of you. I also intend to do my very first live on IG and FB, talking about the book and answering questions.

I just have to learn how to do both of those things…Lol.

If you saw the picture I posted on IG and FB of the guy laughing maniacally with his parachute on fire…Yeah, that’s my mind, a lot of the time.

Chaos and literally just doing things.

Anyway though.

Keep reading. (Seriously. Keep reading.) Keep writing.

Later.

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Really…What are you waiting for?

Hi, guys!

So, I’m sure that, of the people here, the majority of you found your way here from Instagram or Facebook.

Which means that you likely saw the Shatner/Captain Kirk meme about novels not completing themselves. If not, don’t worry because that’s the gist of it.

Novels don’t write themselves.

There’s this problem called procrastination, though. It seems to get the best of everyone, at some point or another.

But it doesn’t have to.

Now, the first problem here isn’t actually the procrastination. It’s why you’re procrastinating.

Are you afraid your work won’t be good?

Here’s a hint, it can’t be good if you don’t write it.

Maybe you don’t know where to start.

Maybe try outlining.

I don’t do it, but it helps a lot of people.

Just don’t get so hung up on all the tiny details like the birthday of the MC’s fourth cousin three times removed, who plays no role in the story, but you feel like you should have everything lined out before you put a single word of prose into a document, when really you’re just procrastinating again.

Maybe you’re procrastinating because secretly you don’t want to write, but don’t know how to admit that to everyone you’ve already told that you’re a writer. (If that’s the case, you need to address why you’re afraid to be honest with those people.)

No matter what, you need to figure out why you’re procrastinating.

Then, you need to cut the bullshit.

Quit pretending all those DVDs need re-alphabetized, or whatever you’re doing to avoid writing.

If you don’t want to be a writer, that’s a different matter altogether. You have to come to terms with that.

But if you do, if you want to be a writer, then at some point…

You have to write.

That’s literally all it takes.

So get out of your way and write.

If you’re afraid that it’ll be bad, type one terrible sentence, just to get your fingers on the keys, then just don’t stop. It’s not like you’re going to write a bunch of stuff worse than that first sentence.

And if you do?

So fucking what.

First drafts aren’t perfect. They aren’t meant to be.

They’re just meant to be written.

You’re going to go through multiple rounds of editing, anyway, be it self-editing, having a friend who’s a grammar nut go through it, or hiring a professional.

And if you’re not editing anything, if you’re self-publishing your first draft, you’re doing this wrong.

That’s about the only thing in the writing world that can, without a doubt, be judged as right or wrong. Everything else is subjective as hell.

But if you’re not editing AT ALL before publishing, you’re doing it wrong.

So lighten up.

Get over yourself.

Your first draft will not be perfect.

And that’s fine.

It doesn’t need to be perfect. It just needs to be written.

Get rid of all the pressure of getting it perfect and write something.

Anything.

Even if you delete the entire scene from the final story.

So long as you’re writing.

Now, I’ll step off my soapbox. Lol.

This past week, I completed my last round of pre-professional edits on The Gem of Meruna. It’s going off for proofreading in October, at which point I’ll likely announce the official re-release date.

I made huge headway on editing my post-apocalyptic novel, formerly known as After. I’m changing the title because I don’t want my story to get lost beneath the pile of other stories called After.

I came up with a new title and put together a mock up for the cover, which I really like. It got a positive reaction from my husband, who knows a thing or two about art/design, and I’ll be asking some writer friends for their opinion soon.

I also decided to change the title of Salt and Silver to avoid clashing titles with a fellow writer, and even came up with a new one. And a potential cover design idea for it.

And…super exciting…I ordered the copies of Soul Bearer that I’ll be giving away! They should be here within a couple weeks, at which point I’ll plaster pictures of them all over the internet and announce the official rules and prizes.

And I started reading Bird Box. And made it like halfway through. I’ll post a review when I finish it, of course, but so far I’m enjoying it. I’m definitely glad I watched the movie first, thus avoiding the inevitable “I can’t believe they left that out, now I’m angry” moments.

Holy crap, guys.

I didn’t realize how busy I’ve been. Lol.

For now, though, I need some sleep. Work dragged on today, and I am exhausted.

Keep reading. Keep writing.

Later.

Posted on

Before You Break

Hi, guys!

I’m almost done with my last round of edits on The Gem of Meruna! Then, it goes off for proofreading in October. I think I’ll be finalizing the release date soon.

I also went through Salt and Silver with Grammarly, and learned that…Grammarly hates when you write a character with an accent. But I don’t care. The editing program just had to get over that. Lol.

It really sets that character apart.

Which is important.

Not to mention the impact on the plot for him to have come from a different country. He’s seen more things than the other two MCs. He’s experienced things in coming to their country that shaped him into who he is.

So it’s plot related, thus Grammarly can shove it. The accent stayed, misspelled words and all.

Also, Soul Bearer is so freaking close…Officially less than a month, now! Release day is so close, and I’m super excited.

But I’m also…not where I need to be.

I should have called a bunch of places last week (local libraries and bookstores) about carrying my book and doing signings (something I’ve never done before). Honestly, I should’ve done all that long before now.

I went to a few places a couple weeks ago. I put on my big girl pants, and told myself I just had to do it. But…

I don’t do well with people.

The librarians I spoke with were so nice…

But my nerves were so frazzled from speaking to strangers, from trying to tell them my book was good enough for them to bother with, and by extension, trying to convince them that I’m a good enough author for people to bother with…

…my hands were shaking when I got back to the car. I sat there with tears pouring down my cheeks, telling myself I was stupid for crying.

I mean, all I did was talk to really nice librarians.

True, the bookstore I went to before that turned out to be disappointing. (They charge authors a LOT of money to do a signing. I don’t know if that’s normal, as this is the first attempt I’ve made at doing a signing. Possibly the last for a while if I don’t get a better hold on my social anxiety.)

Anyway, it took me far too long to stop the tears and still my trembling hands. I held it together while talking to the people, but after the fact, I fell apart.

I have no patience for myself or the ways that my body reacts. I’ve never had patience for myself. I always expect perfection in anything I do.

But this social anxiety…I’m so tired of it, you guys.

In the moment, I vented to my husband and to some writer friends, and they all told me what I would have told them, if the roles were reversed. “It’s how your body reacts. It isn’t stupid. You’re not stupid. This is just a stressful thing for you.”

And of course, they were right.

I’ve never handled social situations well. It just isn’t my strong suit. Don’t get me wrong, I’m getting better at it.

I push myself.

But it’s still holding me back, and I hate that.

Even more so, because this is my dream.

This is it for me. I’m a writer. I want to be a successful writer so I can stay home and write even more. But publicity and events and all that is such a vital part of getting my books out there, and I’m just…not sure I’m there, yet.

I’m sure it’s like tons of other things, do it enough and you get used to it.

And I’m sure I’m not going to let myself out of it. I’m not that kind to myself. I push.

But god…There should be a limit to how many times a person can fall apart. Lol. You deal with a set number of anxiety attacks over the course of your life, and then after that, your anxiety levels are proportional to the things going on in your life.

Wouldn’t that be nice?

I feel like I’m rambling.

Anyway…

I did take a bit of time for myself this week. I’ve been overextending myself lately, spreading myself too thin.

I’ve always been reclusive, and I’ve always needed that time to myself to recharge. But I’ve been people-ing nonstop for months now, never truly being alone.

It was running me ragged. I know it’s hard to tell on social media sometimes, but I’ve been incredibly cynical and flat, of late. (I always am, but it’s been really bad lately.)

So, this week, I did one nice thing for myself.

When it came time for editing a few days ago, I locked myself away in my library. I ignored my phone. I put in headphones, and tuned out the real world and all the people I needed to call or message, and all the things I needed to do that involved people.

I let my little sanctuary soothe me. I let the unbelievably mesmerizing scent of that room, with all its old books and candles and incense, take me away.

And I just sat there, by myself, editing my book.

And barring the absolute shit show at work the past couple days, I’ve been in a much better mood since then.

Surprise, surprise.

*rolls eyes at self*

God…

Guys, take care of yourselves.

Don’t be dumb, like me. DO something to help yourself cope with the world around you BEFORE you reach anxiety-attack-levels of stress.

You can even keep yourself productive while you do your self care, like I did, if you really feel like you don’t have time. (Another jab at myself? No…never…) I sat by myself with candles and music and chocolate and old books, and did some editing.

But chances are…you probably have time. Even if it’s just five minutes to unwind.

Stop scrolling, set the phone aside, and do something for you. Maybe stay up ten minutes later and go for a walk, clear your head.

Do something for you.

Please.

As always…

Keep reading. Keep writing.

Later.

Posted on

Frickin’ Goals

Hi, guys!

So, last week was mostly spent putting the final touches on Soul Bearer after receiving the proof copies (Centering the back cover and eliminating a few errant typos/unnecessary commas, that sort of thing).

I also made a decent amount of headway on the final round of (my) edits for the rerelease of The Gem of Meruna, and set up a date for it to go to an editor for proofreading.

All in all, not bad.

It’ll have me on track for the tentative release schedule I’ve set for myself. I’ll not be announcing dates until closer to time, because it’s all subject to change. I know very well that life throws curve balls.

But I have a schedule and I intend to stick to it as closely as possible.

It’s not an easy schedule, but I’m gonna give it everything I’ve got.

Which brings me to the main topic.

Frickin goals.

You need them.

They’re serious motivators. Humans (in general) hate feeling like they’ve failed. Setting a goal pushes you, it makes you feel like something’s at stake even if the only thing you stand to lose is a little pride.

You need goals for your life to keep you moving forward, to keep you from stagnating.

But you need good ones.

Whether you’re reading, writing, or working toward some other dream (maybe you want to sell ice cream on the beach? Idk), you need realistic, achievable, challenging goals.

If you say, “I want to read 300 books this year,” but it takes you an average of a week to finish a book, you’re probably not going to push yourself to reach that goal because you know it’s not going to happen.

Aiming for 52 books a year is more attainable, obviously. It holds you to reading, at a pace you know you can maintain. Wanna push yourself to read more? Go for 55.

On the flipside, if you set a goal of finishing your first draft (no editing, just first draft) by the end of this year and you only have one more chapter (and your average is a week for a chapter)…

Who gives a fuck about that goal? It’s meaningless.

It doesn’t push you to write faster or work harder. It’s just some silly arbitrary thing you came up with and didn’t care about.

Aiming to have it done by Friday rather than by Sunday? That’s a better goal. It’s more attainable, but still pushes you.

Achieving a goal provides a sense of satisfaction beyond the original satisfaction of finishing something, as well as a little ego boost because, hey, you freaking did it.

But if it’s something you knew you’d do and the goal was just kinda thrown in there for shits and giggles…that extra boost disappears.

For example, at work, we can build out.

Basically, what that means is, if we build the number of tires we’re supposed to build over the course of a shift before the end of the shift, we can stop working and still get paid for being there. We can sit in the cafeteria or go to the on-site gym. We just can’t leave until the end of the shift.

The rates used to be unbelievably high. Like…push-yourself-into-a-frenzy-all-day-long-and-if-one-thing-goes-wrong-you’re-done high.

And no one tried.

Because it was stupid.

Why exhaust yourself to get 5 minutes of sitting at the end of a 12 hour shift, knowing you’re going to be sore and dead on your feet the next day when you come back for another 12 hour shift?

Or worse, push yourself super hard, and then, with an hour left to go, get a cassette of material that’s absolute garbage, but there’s no more, so you just have to fix every single tire, and suddenly your build out disappears. But you’re still absolutely exhausted, and still working.

No thanks.

But recently, they lowered the rates. They’re attainable, now.

You still have to push, and any serious problem means it’s out the window….but it’s possible to have an entire hour at the end of the shift where you don’t have to run a machine.

So people try, now.

I try every damn day.

And most days, I get to spend 45 minutes to an hour and a half getting paid to sit on my ass, reading, while someone else takes over and builds more tires on my machine.

The company gets more product, morale goes up, and I get to read or write or work on a blog post at work.

All because of a challenging, but achievable goal.

So, as I said above, I’ve set a tentative release schedule for the rerelease of The Gem of Meruna and the releases of After, Where Darkness Leads, and Salt and Silver, all to follow the release of Soul Bearer.

I intend to finish The Regonia Chronicles by the time all those are out, and then those books will be added to the release schedule.

It’s going to be rigorous. It’ll be a lot of late nights (my preferred kind of night, honestly).

But I’m going to get these books out as close to the schedule as is humanly possible.

I’m pushing myself harder for a bunch of dates I literally pulled out of thin air.

Yeah, I made sure to leave time for life, while still keeping it challenging.

But now, I’m going to push.

And you should, too.

Set a goal for yourself, and push toward it.

Whether it’s a certain number of books to read for the year or a word count for the week or maybe something long term (starting a business or some such thing).

Believe in yourself enough to set a goal.

Then, fucking get it!

Feel free to leave tips or tricks for goal setting in the comments. You know, all that “like, comment, subscribe” stuff youtubers say at the end of their videos. It applies here, too, but I feel awkward as hell saying it. Lol.

As always…

Keep reading. Keep writing.

Later.

Posted on

Keep It Punchy

Hi, guys!

So, the hardback proof of Soul Bearer came in this week (the paperback should be in today/tomorrow, and I’ll put up pictures after that. Idk why they shipped separately). It’s so exciting to see it, to finally hold it in my hands after staring at it on a computer screen for so long.

It still doesn’t quite feel real. Lol.

Of course, there are a couple things that need adjusted, some things that didn’t translate to print how they should have (hence the need for a proof copy), and I’ll have to adjust those. But it’s in my library, now.

It’s on my shelf, and I freaking love it!

I’ll stop gushing now though, and get to the point. Lol. The physical copy sparked a conversation between my husband and I. He expected the hard back copy to be thicker than it is.

It’s not a super long novel, by any means, coming in at just over 70,000 words. High fantasy, nowadays has a tendency to run pretty long though, sometimes topping out above 100,000 words.

There’s this trend lately for books to be huge, lengthy tomes that, if used as a weapon, could knock someone senseless. (Ironically.)

Now, my husband is a huge fan of Andre Norton. He has about one sixth of her books (which is saying something, since she wrote several hundred). She wrote high fantasy and scifi. But her average word count was, I think, between 40,000 and 50,000 per book.

Nowadays, that’s considered a novella, not a novel.

So many people want big books, now.

Anyway, my husband asked how I get so much stuff into my books, without the books being far longer. And my answer kinda surprised me. Lol.

I hadn’t thought about it until the words came out of my mouth.

I told him that I use my world building to build my characters, and my characters to build my world. I multitask.

Doing the two things separately just fills the pages…for no reason.
I mean, the main characters are going to play a pivotal role in shaping the world they live in, especially in fantasy, otherwise they wouldn’t be the main character.

So showing their experiences relative to the world…makes sense.

For them to have motive to change things, they have to have been affected by the negative sides of their world at some point. So showing their world relative to them…makes sense.

Okay, I feel like I’m talking in circles, so I’ll give examples.

In Soul Bearer, Aurisye is looked down on and treated horribly for being half-Orc. That tells the reader that the two races don’t get along (they’re actually at war), and builds up who she is…an outcast.

Rafnor joined the military for equal treatment. He grew up poor, and was bullied over it (so money is important in their realm, another problem for Aurisye). But the military runs on skill and the ability to improve, rather than on basis of connections or finances.

Now, in Salt and Silver, Ness is a demi-demon. That alone tells you a few things about her world. It tells you that, in the world of Theran, demons are real, whether you believe in them in our world or not. It also tells you that they can, at times, walk the earth, and procreate with humans.

The existence of demons implies the existence of gods, otherwise a different word would’ve been chosen in place of demon. It sets up the juxtaposition to imply that yes, the gods are real and can be interacted with.

In the opening scene, she’s called a witch, telling you that magic exists in their realm.

Which brings us to the word choice topic again. I wanted to have one term for magic users, regardless of gender, and I wanted it to be one that would be instantly recognizable.

Choices?

Wizard, witch, mage, or caster.

Caster might not be recognized outside the gamer community, so it was out.

Mage works for Soul Bearer because it implies the use of spells, runes, and potions alike. Mage also has a connotation of prestige, of exclusivity. Since not everyone in Visun (the world of Soul Bearer) can use magic, that holds true. The term also lends itself nicely to high councils (which is a thing in Soul Bearer).

Wizard instantly conjures the wizarding world of Harry Potter, where only certain people can access magic, primarily through the use of wands. Sure, magical items, potions, and divination exist, but mostly, it’s commanded with wands.

And in Salt and Silver, that isn’t the case.

Anyone can access magical energy, but most don’t care to. It relies heavily on potion making, devotions to multiple gods or demons, and occasional sacrifices. Basically, it’s useful, but tedious and time consuming for mortals. It’s a skill that has to be developed, much like leather working.

For most, it’s easier to pay someone else to do it.

The term witch makes me think of potion making and lonely little cottages in the woods. It calls to mind paganism and a deeper understanding of nature.

And that’s what I wanted for Salt and Silver.

One word can have such a huge impact on the atmosphere of the world.

Making sure you have those pivotal words down can make a world of difference in the length of a book.

Another Salt and Silver example. I didn’t have to explain that their country is divided up into city states led by their own militaries, because when shit hits the fan, they consult the leader of the local chapter of Knights. That alone spared me several pages of exposition on the way their country is set up.

Basically, it all boils down to that old adage, show vs. tell.

If you show me your character sitting in a classroom, zoning out during a calculus lesson amidst kids who are just a bit older, I’m going to assume they’re in high school, taking advanced classes.

You don’t have to tell me what grade they’re in or what grade the other students are in. You don’t have to tell me they’re attending high school. You can let the character’s mind wander over the problems they’re facing (i.e. the point of the story), thus building the world and the character in the same scene.

If you need me to know that your character is having relationship problems, add in a flashback to a fight or have their partner’s voice echo through their head. That way you can show me the tone of voice, you can show why they’re fighting…how they’re fighting.

And all those things build the world that the characters are living in. It paints a picture of the life they lead, in addition to showing the personalities and desires of the characters.

Of course, there are times where you just need to tell something, and get it over with. A quick thought or comment could do that without devoting page after page to an explanation of the country’s history.

At any rate, there needs to be balance between showing and telling, and that balance lands in different places along the spectrum for every author.

I tend to lean more toward showing. Obviously. Lol. I like my stories…punchy.

The point is, it’s possible to write high fantasy in less than 100,000 words. Lol.

So, if you find yourself falling short of that mark when writing fantasy, that doesn’t necessarily mean anything bad about your writing. There’s the chance that maybe you missed something, but it could just be that you eliminate most exposition.

Anyway, I’ll stop rambling, now.

Over the past week, I did some editing on The Gem of Meruna, and did some work toward the Soul Bearer release. I also added a chapter to Salt and Silver to fill in a plot issue pointed out by beta readers, and filled out the playlist for my sci-fi series.

Basically, I’m jumping from one story to another like a damn maniac.

And this coming week promises to be just as chaotic.

Keep reading. Keep writing.

Later.

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Building Character

Hi, guys!

This past week was mostly spent working on behind the scenes stuff for Soul Bearer. I’ve been reaching out to ARC readers left and right. I got a bit of editing done for the rerelease of The Gem of Meruna.

I also finished the pre-beta reader edits of Salt and Silver, and got it sent out to them. They found a few things that need adjusted, and I’m glad they caught it. Their response was overwhelmingly positive though, and I’m so freaking excited about it!

It’s a great feeling to know someone enjoyed your work.

And that story was so much fun to write. The characters are…interesting (a demi-demon with a conscience, a werewolf with a hero complex, a reckless mortal). lol.

Which brings me to the topic of the day…

Character development.

So, there are a lot of types of writers, and a lot of standpoints on how autonomous our characters actually are. Some people believe their characters have minds of their own, and have a lot of control on how the story develops. Some people believe all the control rests within the hands of the author.

And to be honest, as far as my next point is concerned…which side of that fence you’re on doesn’t matter.

Because, whether you think they’re forcing your hand or not, you need to think of them as fully independent people.

Whether you’re plotting carefully or running wildly through pages, the characters have to be people to you. Because if you don’t see your character as a person, your reader won’t, either.

You need to see all the facets of their personality. Otherwise, how will you ever figure out how they’ll react in a given situation?

If they’re a full person to you, it’s easier to figure out what they’ll do.

They can’t just be heroic because you say they are. Fiction has to make sense, ironically enough. Your characters have to have a motive.

Which is where backstory comes in.

Now, getting a normal ass person to leave a life with which they’re content to go chasing danger is going to take some persuasion. A person who has reason to hate their current situation…will go more readily.

Which is why backstories get rough.

But no matter what the backstory, you need to be consistent. If they have a history of running their mouth, they’re not going to stop whenever its convenient for the writer for them to not spout off at a superior or an uneasy ally.

It’ll take work for them to control that impulse, if they even see it as a problem. If they don’t, they won’t bother adjusting their attitude. And you either have to find a different way to move your plot forward or curb their temper in earlier scenes.

Because people change, but not instantly, and not when it’s most convenient.

Oftentimes, change is brought about by a low point. (Terrible backstory…reason 2.)

Now, there are a lot of ways to see your characters as real people.

Some writers do personality tests as each character. Some give each character a quirk, or a phrase that they use a lot. It makes them just a bit more distinct, a bit more human.

Whatever you do, each character needs a voice. You don’t want your reader to struggle to tell one side character from another. You definitely don’t want that struggle with your main characters.

The most basic thing you can do is figure out what they want. They’re not always going to want the same thing as your other characters, so there’s a pretty easy distinction.

Then, figure out why they want that thing.

This kinda brings us back to their backstory. What we go through has a huge impact on what we want out of life. And we tend to think about things we want…a lot.

Which means that a character’s thoughts (an important tool in character voice) will be informed by their past.

If someone went through something terrible…they’re going to think about it. If they want to prevent that happening to someone else, they’re going to think about that.

If one character is in love with another, and they’re going along on a quest to try to win affection…they’re not going to spend as much time thinking about the quest as the person on it for a personal vendetta. Instead, they’ll be preoccupied with how their crush is doing and how safe they are and what needs done to win them over.

That right there, the thing they focus on in the safety of their own mind…

That’s a huge distinction.

Take the backstory you’ve provided, and pick something (preferably plot-related) that makes your character anxious. That’s another huge difference between characters. Or maybe it’s something two characters can bond over.

Does your character have low self-esteem? Maybe that makes them befriend people who possess qualities they envy, because they want to be like them.

Maybe it does the opposite.

Perhaps they can’t handle being surrounded by the quality they admire, and they tell themselves that quality is dumb to ease the tension of not being good enough. Maybe they end up hating the person they know they should emulate, as a defense mechanism, surrounding themselves instead with like-minded people to avoid any cognitive dissonance.

Who knows?

There are so many options, so many ways to build messed up people for your stories.

At the end of the day, the best recommendation I can give is to learn about psychology. You don’t have to get a degree. You don’t have to be an expert.

But learning about psychology has so many benefits for writers.

You can use it to build people.

Believable people that readers can relate to.

And that’s huge.

It’s…kinda…the point. Or, a major part of it, anyway.

But I digress. I’ll stop ranting, now.

Keep reading. Keep writing.

Later.

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Writing with Style

Hey, guys!

So, I’m in several writing groups, and the big one on facebook (Fiction Writing, 90,000+ members) has had a lot of posts asking a pretty similar question, here lately. “I have an idea for a story, but there are already so many stories like this out there. Should I even bother writing it?”

Such a loaded question, but a very simple answer.

As long as you’re not just straight up stealing someone’s work, write your story. It won’t be like the other stories, because it’ll be yours, written with your voice, in your style.

Who gives a fuck how many werewolf stories there are, or how many accidental baby with a billionaire stories have been written. If you have an idea about an accidental baby with a billionaire werewolf, fucking go for it.

Because your individual writing style and voice will change it, and make it unique.

Individual writing styles vary so much that it’s insane. Some writers even use different styles for different types of stories.

So, as long as you have a clear style and voice, you can write whatever you want.

Seriously.

Whatever you want.

Writing style let’s you get away with some serious shit.

Hell, at one point in his short story, “The End of the Whole Mess,” Stephen King forsakes spelling, punctuation, and every rule of grammar. And without that section, the story would’ve been…meh.

With it?

The story was phenomenal. I think back to it frequently, even though I read it like 5 months ago.

I’m not going say why he does it, or when, because it’s a pretty major plot device. It MAKES the story.

But it happens. Every basic writing rule…gone. And because of the style the story was written in, not spelling anything properly or bothering with punctuation…it enhances the story rather than taking away from it.

Side note…the shit you want to get away with has to be intentional. Don’t just bury your head in the sand, and refuse to learn about writing. Don’t pretend rules don’t exist or apply to you.

Don’t be that cocky.

If you’re gonna break a rule, don’t just say, “That’s how I write,” and expect everyone to think it’s awesome. Lol. You need to have a reason, and an understanding of how it affects the story.

Now, if you want an example that doesn’t seem so unattainable (because Stephen King is pretty high up there), my personal writing style is meant to be like you’re in the mind of the character. It reads sorta like a mixture of thought and direct experience, even when I write in third person for the sake of clarity when switching points of view.

Therefore, it’s rife with sentence fragments and occasional repetition. Because people don’t think or experience things in perfectly composed sentences.

I use curse words and sarcasm. Since I write very naturally, it makes sense. People curse. People get snarky sometimes. It happens.

I use enough description to get the point across, but no more, and only stuff the character would notice. Writing the scenes in such a direct way means that the character isn’t going to pay attention to the type of fabric every other person’s clothes are made of, or the type of trees in the careful landscaping at someone else’s house. Not unless they’re a seamstress or landscaper. Maybe not even then, if their mind is otherwise occupied.

And I pack the stories with emotion and dark subjects. If the story calls for gore or violence, well, it’s gonna be in there.

Not everyone wants to focus on trauma or battle scenes. Not everyone wants curse words. (Clearly, I don’t mind them. Lol.)

The book I’m currently reading (Winterhued by E. H. Alger) is in a genre that I write in a lot (fantasy romance), but is nothing like my books.

It begs to be read in an old English accent. It’s got beautiful, flowery writing and rich description. So far, it’s stayed away from heavy battle scenes, and focused more on the interpersonal goings-on of a besieged castle.

Had I written about a besieged castle with knights and a princess and ladies-in-waiting, it would have been a very different book aimed at a different audience. But Alger wrote it, using a different style, and a different voice, and different ideas.

Not writing it because other people have written about castles and knights would’ve been silly and sad.

It’s beautiful, and there’s no substitute. The author’s voice, the author’s style, and individual spin on things are what make the book unique.

So, to sum up, if someone else wrote about a vampire that used to be a viking and is also an angel (yeah, seriously, it’s been done. It’s a seven book series by Sandra Hill) that doesn’t mean you can’t or shouldn’t.

Because it won’t be the same story.

Write what you want, even if someone else wrote a story about the same general principal.

So. Keep reading. Keep writing.

Later.

P.S.- I haven’t read that series by Sandra Hill, but I love the title for the last book. “The Angel Wore Fangs” is catchy as fuck.

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Authentically Disorganized

Hey, guys!

Last week was a busy one. I finished this round of edits for The Gem of Meruna, and started on the last pre-beta-reader edits on Salt and Silver. I made it like…30 pages in. And it’s still formatted for 8.5 x 11 inch pages. So that’s not bad.

I also ordered awesome bookmarks to give away with my books, and a bunch of swag for Soul Bearer. The bookmarks came in, and were…misprinted. :/

So now I have to get them replaced, which sucks.

A lot.

The last order (business cards) that I placed with this company, one box was printed with a white line on the edge of one side. Now this…

The white line I can fix myself with a marker. Lmao. This one is a pretty major mess up. I actually had to be a grown up and contact them about it. Which doesn’t make me happy, because I don’t like conflict or dealing with people. Hopefully, it’s handled well. Idk. We’ll see. Since it’s the weekend, I’m still waiting to hear back from an actual person.

The swag should be in later this week or next week. Since some of it involves the cover art, and I know I’m going to want to show it off, I’ll be revealing the cover for Soul Bearer this week!

Email subscribers will get to see it first, btw. They’ll also get to see all the book swag first, and have an extra shot at winning when it comes time for giveaways. (Hint hint. Subscribe maybe?)

Now that the shameless subscriber plug is behind me, this coming week, I’ll be doing final touches, and, if all goes well, uploading into Ingram Spark. Then…ARC readers.

Which brings me to the main topic today.

Writing tends to lead to a lot of self-exploration, whether you intend to do so in your writing or not. It teaches you a great deal about how you think and how you see the world. You have to analyze all of it, and analyze others, and check to see if your viewpoints are overwhelming the story. You have to analyze the viewpoints and characteristics of the characters, and question whether they’re viable.

Sometimes you find a trend in your stories, something that you just tend to work into one novel after another, that reveals something about you.

Well, this week, I learned something very unexpected about myself.

You see, I’ve been busily compiling a list of reviewers (IG handles, blogs, etc. No personal information.) to approach for Soul Bearer’s release, and this week, I shared that list with a few author friends.

And that forced me to actually look at the list from someone else’s perspective.

Which made me realize that I am NOT an organized person.

At all.

I knew I wasn’t organized with my writing. I don’t outline, and I barely do any planning in my head. I just start writing, taking down the most basic notes as I go. Hell, with Salt and Silver, I knew *maybe* 2% of the final book when I started. So much got changed, or deleted, or moved. The very bones of the story shifted at one point, so strongly that I stopped writing, and reworked the first 40,000 words to accommodate the change. I had to.

(Kudos to anyone whose been following me long enough to have read THAT blog…yikes. That was a rough couple of weeks.)

Now, that one is one of the most extreme, an outlier, but I never really know more than 10% when I start writing.

And I love that. I love the exploration of it. I love learning the story as I go, and getting to know the characters as they develop.

But in pretty much every other aspect of my life, I always thought I was an organized person.

But I’m nowhere near it.

Sure, I know where all my stuff is, but if I needed someone to get me a certain book or trinket from my library, I’d be better off getting it myself. They could not go in there, and just figure out the system of organization. because there isn’t much of one. I have a couple bookcases of collection books, a couple of bookcases for books I’ve read, and some for the ever growing “To Be Read” books. Each bookcase has books stacked in front of the rows, and on top of the rows. And within those three groups, there is no objective system.

My favorites go on the top shelf. As you progress further down the shelves, you find books I like progressively less. That’s it.

And the stuff on the shelves with the books is just arranged in ways that I like. Lmao. I call it aesthetically arranged clutter. But I can go in there, and find any little trinket easily.

My notes for writing are barely more organized than that. Mainly, I just put a heading at the top of a page, and fill in whatever I need to remember about that subject below it. When I need to find it, I just search for the heading.

That list of reviewers was no different. Lol. Headings. A lot of parentheses. No real solid structure.

Because I’m not organized.

I mean, don’t get me wrong. I use my phone calendar for doctor’s appointments, and I can budget like a boss.

But that’s about it. Lol.

That isn’t the lesson I expected to learn about myself this week, but I’ll take it. Lol.

Which, I guess, explains why my IG and FB look how they do. So many authors have super pretty, refined profiles. They have color palettes and specific fonts that they use for specific things, and their author platforms look beautiful. They have solid brands.

And mine is memes and cat pictures. Lmao. Throw in a nice picture from my library every now and then, sprinkle in a few posts about my books.

But branding is all about authenticity, so I guess I’m just being authentically disorganized? Maybe that’s an excuse? Who fucking knows.

Lmao.

Can you tell I’m tired?

I did just work a 12 hour shift. And did one yesterday, as well…

Meh. Lol.

I think I should probably sign off, now.

Keep reading. Keep writing.

Later.

Posted on

Symphony of Dragons

Hi, guys!

So, we all know music is awesome, and lots of writers like to listen to music when they write or edit. It isn’t exactly rare for songs to inspire stories or complete novels.

I’m certainly not an exception to these rules/happenings.

One of my short stories (Vivification, currently on submission for an anthology) was inspired by a song by Phaeleh. The Regonia Chronicles was inspired by a conversation with my husband and the song “Turtle Ship” by Ghasper. “Various Storms and Saints” by Florence and the Machine inspired the rewrite of Salt and Silver (soon to go into another round of edits, then be sent to beta readers).

Not to mention the new story idea I got a couple days ago, thanks to a song called “BFF” by Leah Kate, not that I know when I’ll get to actually write that one. Lol. Too many irons in the fire.

Anyway…

I almost always have music on when I write. Each story gets its own playlist, full of songs handpicked from the 100+ gb of music on my phone. (I’m one of those people that gets every single penny (and then some) of the monthly subscription for Google play music. Lol.)

I hop genres often, typically just putting stuff on shuffle, and seeing what comes up. There’s just too much music out there to limit yourself to one or two genres.

Plus, you never know what genre will resonate with a character or a scene. Some of my characters like blues metal, and others prefer electronic. Some like classical, others like grungy folk.

And sometimes you stumble across a song that just fits a certain ambiance. I have a playlist on my phone comprised of songs that are perfect for a 90’s vampire nightclub. The beats are slower than your average club song, more trance-inducing and sensual than beat-your-brains-out-with-your-eardrums. The vocals are almost…bored. Like, if the singer could be somewhere else, they would be. But they have to be there, so they may as well do the song. And there’s just enough of an industrial feel to make it seem a little dangerous, because, lets face it, vampires were more dangerous back then. Lol.

(I have a scene in my head for that playlist, and eventually I’ll write it, but that’s a journey for another day.)

Sometimes, thanks to my OCD and the luck of finding the perfect song, I put a single song on repeat for the duration of a scene. Whether it takes me thirty minutes to write it or an hour and a half, it doesn’t matter. Then, every time I hear the song, I’m taken right back to that book, that scene.

And I love that.

So, today, I thought I’d share my playlist for Soul Bearer with you all. Not all of them seem fitting for a fantasy romance, but each one fits a character or a scene.

And each song comes with my wholehearted recommendation that you listen to it, because, well, they’re all awesome. Lol.

First and foremost, my MCs’ songs:

Aurisye’s theme song, of sorts, is “Gold” by SHELLS. She’s always felt kind of…out of place. Showing her true colors has never really worked out for her, and she wants to just be seen as normal. More than that, she wants to be loved.

Rafnor’s theme is “Simple” by The Moth and The Flame. Rafnor wants a simple life. He wants a wife who loves him and a huge family. But, getting a simple life is difficult with the return of…dun dun dun…dragons. Lmao.

The rest of these are in the order that I found them, and thought, “This would be perfect for Soul Bearer!”

“Say it” by Blue October

“Tell me lies” by Deorro (feat. Lesley Roy)…Btw, her voice sounds like the vocal equivalent of a pan flute. Just saying.

“100 years” by Serj Tankian (feat. a lot of people with really long names, and lets be honest here, its 2:00am and I’m tired. Lol. By the way, this one is perfect for scenes showcasing utter devastation.)

“Lover, Please Stay” (Live) by Nothing But Thieves

“Outside” (Explicit) by The Weeknd (I told you not all of them seemed appropriate for the genre. Lol. But it fit a scene, very well.)

“Fingertips” by OneRepublic

“Hear Me” by Kelly Clarkson

“Should be Higher” by Depeche Mode

“Shiva” (Live at La Finca Venado Volando) by The Human Experience

“Another Word for Beautiful” by Sundara Karma

“Cherry” by Lana Del Rey

“Notions” by Lovedrug

“Light” by Sleeping At Last

“Kettering” by The Antlers (This one is good for romance scenes, and leads very well into the next one…)

“Wolf Like Howls from the Bathhouse” by Sonny Smith (Excellent for scenes of sexual tension.)

“Nothing” by Vessbroz (feat. Kyle Davis)

“Can You Hold Me” by NF (feat. Britt Nicole) (The scene this one is associated with…Oh my god…I cried when I wrote it, and every time I edited it. Lol. Good luck, guys.)

“Clouds” by BØRNS

“You’re Special” by NF

“Do You Feel It?” by Chaos Chaos

“Round” by The Moth and The Flame

“The Flood” by Cyrus Reynolds and Gregg Lehrman (There’s a drop in this one that is amazing.)

“Synthetic Love” by Sarah Jaffe (This one is also in my Regonia playlist, and is very strongly associated with a scene in the first book.)

“Lux” by Cyrus Reynolds and Gregg Lehrman

“Can You Feel My Heart” by Bring Me The Horizon

“My Neighborhood” by Lovedrug

“You’ll Be Fine” by Alex Clare

“Angel” by Tokio Meyers (Breathtaking song.)

“The Warden” by Chelsea Wolfe (Perfect for magic/casting scenes)

“Running For Your Life” by UNSECRET

“Nobody Else Will Be There” by The National (Another good one for romantic tension.)

“Sour Breath” by The Devil Wears Prada

“Riverside” by Agnes Obel

“Archibald MacDonald of Keppoch” by Alasdair Fraser
(This one…oh my god…the scene it goes with…it hurts.)

“Healing” (Original mix) by Phaeleh

“Burn the Witch” by Shawn James

“A Different Time” by Phaeleh

“Víðbláinn” by Peter Gundry

“Can’t Help Falling in Love” (DARK) By Tommee Proffitt (feat. brooke) (Super intense build up, good for gathering courage and slaying dragons…)

“Onward and Upward” by Tommee Proffitt (feat. Fleurie) (Another excellent build up song. Think fire and smoke everywhere, with the roars of a massive beast vibrating your chest as you run, sword aloft, into battle…)

“Finale” by Michael Abels

Whether you’re excited for Soul Bearer (which I hope you are) or whether you just want music recommendations, this is a pretty good list, in my opinion.

Update time! I got all my formatting done this week! It was a mind-numbing, infuriating, blur of tedium, and I’m not quite looking forward to doing that again. Lol.

Now, I’m on to copyright stuff and ISBNs and uploading and swag and proof copies and ARC readers. But first, I’m beta reading a friend’s novel.

For the time being, though, I think I’m going to sign off.

Keep reading. Keep writing.

Happy listening.

Later.

Note…I don’t have rights to these songs, and I’m not being paid by them or Google play (though wouldn’t that be nice?) to promote them. I just really like music. Lol.